Great movie moments that would be even better in 3D

Which great moments from cinema ’s past would be better in 3-D ? We ask film director Patrick Lussier , who ’s helmed two 3D movies — My Bloody Valentine and the upcoming Drive Angry 3D — what classic movie moments he thought , as a 3D cognoscente , would be meliorate by 3D.

Here ’s the full listing and the 3D explanation justifications straight from Lussier himself . of import NOTE : Lussier is in no agency tell that these moving-picture show necessitate to be remade or should be converted to 3D. He has the great amount of respect for all of these films as they are .

https://www.youtube.com/watch?v=uaPLQidZub4

The Changeling

The Rubber Ball . Such a simple , incredibly atmospherical and undeniably terrorise flick . It ’s a really uncomplicated spook story . There ’s such terror in it that builds and builds but the best tantrum is when George C. Scott throws away the ball that belong to his daughter who had died . He then comes home and it ’s just pound down the stair . It ’s very simple : you just have this testis bouncing down the step at you and at the very last second it rolls forward and breaks the frame but without being in your face . It ’s one of the best scares ever . It ’s elegantly done and set up so well . This film makes that simple-minded act not only raise your hackles , but become such a theme song second in an already landmark scary picture show . Here ’s an example of retain the consultation inside the house with Scott , force the depth of the bulwark around you so you constantly feel the place pushing on you .

The Exorcist

The Exorcist is fascinating to watch with the fashion movies are paced today . The first hour of that film is all slow tan , it ’s all exit to the Doctor of the Church and doing this and that . Once you get into the last 30 min it ’s so shocking , especially for the time , but even now it is so incredibly in effect with how real that motion picture plays . You look at that final shot , if you were to shoot that in three-D it would be great . However William Friedkin shot that so well , it basically takes place in a square boxwood . It makes a straight box terrifying . To raise that — not even to make things come at you , even though that would be a blow — it ’s the idea of how do you make that space terrorize in 3D ? It would simply be put the interview in it . You would feel the wallpaper and the wall and that all around you . There ’s no relief valve . And I think as much as you get that feeling when you view that film it would be amplified in the third proportion . And of course , Regan ’s missile regurgitation .

Poltergeist

The movie so attractively deal average suburbia and makes it terrific . The scene where Craig Nelson enter the child ’s door , the tree diagram attacking the son , the integral end and of course , the buffoon attack Robbie and drag him under the bed . Just putting the audience under that bed with him , or in the closet , bury inside a family that ’s probably similar to places a lot of the audience lives in .

The Omen

The Omen , well … Richard Donner made a 3D flick before this wave of 3D movies ! Every death in it is the thoroughgoing 3D kill . Patrick Troughton ’s death where the lightning rod comes off the church ’s spire and empale him . David Warner ’s head rolling right at you . How Gregory Peck is shot in the end . And that was ’ 76 . That movie , as swish as it is , and it is sort of the popcorn brother to The Exorcist , it has kill after kill . Half the horror movies today would be begging to have kills like that . The Omen does n’t shy aside from being a horror motion-picture show . From baboon on Lee Remick ’s car , to the Italian graveyard where Peck and Warner find the stiff of Damian ’s mother . This moving-picture show has so much 3D potential .

https://www.youtube.com/watch?v=kwknrtA1mCg

The Thing

The translation sequence and the blackguard approach . Anything with a creature that can change and become anything . There ’s no restriction with how you could bring with the three dimensional space . The shot where Copper gets his sleeve bitten off where you ’re reckon from inside the chest see back up at him . The head comes off the body and grow wanderer branch and skids across the trading floor . That movie is a landmark opportunity of being able-bodied to play with the three dimensional space .

Dirty Harry

A great activeness story with a bully role . make the .44 Magnum pointing out to the back of the dramatic art would be dash to say the least .

https://www.youtube.com/watch?v=p-y1VUdnQXo

Bullitt

If you were strapped in the seat next to them … what 3D loves is clauterphobic depth . A lieu where you may get lots of profundity but you may still sense the bulwark around you . If you lather on the hood there , you ’d be white knuckling it next to Steve McQueen . drive at mellow speeds through San Francisco , this is a metropolis made for car chases .

https://www.youtube.com/watch?v=nLCmcV4gC_0

Road Warrior

There ’s really there ’s no better high-pitched octane movie than this . And using the precise same shots — but in 3D , where you are on the asphalt pack of cards howl at 60 , 70 mile an hour … would leave you breathless .

See Lussier ’s latest 3D work in Drive Angry , which will be in theaters on February 25th .

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